Your Piano Room Acoustics

Britannia Piano Auctions

The dimensions and layout of your piano room will undoubtedly have an effect on the overall sound. Have you ever listened to a piano that is too powerful for the room it is in?

Not only can it be deafeningly loud but it will often result in a poor quality of sound. As a rule of thumb larger pianos are built for larger rooms, this is because they possess qualities and characteristics that best present themselves in larger spaces. The mighty sound of a double octave run in the lower end of a concert grand would be lost in a typical houseroom as there is insufficient space for the sound to develop and resonate.

 

 

Remember large pianos are designed to move large quantities of air & produce comparably large sound waves. To do this they need to be housed in an appropriate sized room.

 

What Is The…

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Optimize Your Piano Practice Time

The Art of Piano Performance

Practice Tips for Developing a Solid Technique in Piano Performance

Practicing is both an art and a science. Every student of piano performance must remember that their achievement on the instrument will be the direct result of the amount of time and the quality of their practicing.

The art and science of practicing is not just time spent at the instrument but time spent listening to the music the student is working on, studying and understanding the harmonic analysis of the music as well as researching the time period and technical characteristics of the composer of the piece you are working on.

In addition to this, it is advisable for the student to prepare a weekly plan outlining the time spent on specific techniques, repertoire, sight-reading and review of old or previously learned repertoire.

Technique

The purpose of technique is to serve the pianist’s imagination and realize his/her interpretive ideas…

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In Praise of Slow Practice

Melanie Spanswick

There are so many different ways of practising the piano and whilst it’s relatively easy to identify those that are ineffective or plain incorrect, it’s much harder to establish fail-safe methods which will work every time on every piece. Many believe slow practice is of little use and can be distracting or even damaging, but if worked at regularly and accurately, it promotes a much more thorough approach. In fact, practising at very slow speeds employing total concentration can transform a pianist’s playing.

The first obstacle to successful slow practice is encouraging students and young pianists to view it as a valuable process. Many think it is a good idea in theory, but when it comes to practice time, it’s far easier (and more pleasant too) to play as usual; up to speed with the usual hesitations or errors. It takes vast amounts of discipline to play at a fraction of the speed, which is  no easy feat, but…

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A few helpful tips to improve your piano fingering

Melanie Spanswick

Image from 'So you want to play the Piano?

Fingering is a crucial element in piano playing and surprisingly it’s often overlooked even at advanced levels. Many piano students have never adhered to any at all. Fingering is necessary because it helps a pianist remember which one of their four fingers or thumb (in each hand) is required to play a particular note or notes.  It is a really useful skill to cultivate as without it piano playing will become haphazard and uneven. It’s difficult to achieve any kind of consistency or fluency without sticking to the same finger patterns in a piano piece.

Some pieces will have all the fingering written in and others will need it annotated on the music or score. A good teacher will write all the necessary fingerings on the music so when you practice you will know exactly which finger goes where. This is vital for smooth fluent playing.  Initially, your piano books will show you how the fingers are…

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Are Pianists the Super-Athletes of the World?

Learning Strategies for Musical Success

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Physiologist Homer Smith cites skilled piano playing as one of the pinnacles of human achievement because of the “demanding muscle coordination of the fingers, which require a precise execution of fast and complex physical movements”. This remarkable human ability provides an insight into the power of the brain. Consider Frédéric Chopin’s popular but challenging Fantaisie-Impromptu. This work requires playing approximately nineteen notes per second. The performer must learn these notes to such an extent that conscious attention to them is virtually no longer necessary. This is the aim of any playing of music—to render the technical demand to an almost unconscious level. Daniel Levitin says, “Plain old memorization is what musicians do when they learn the muscle movements in order to play a particular piece”. Much of this repetitive practice routine is more or less an algorithmic task. There’s nothing particularly creative about learning the motor mechanics of a phrase…

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America’s Culturally Deficiency

http://theartofpianoperformance.org/
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One thought that haunts me from time to time is the horrible state of music arts in America. This view may surprise you. You may even find it based in unsound logic. Let me share some history with you as it pertains to America’s cultural development.

There are over 6,000 brands of pianos in America. Most of them are names of companies that stopped making pianos years ago.

In 1865, our country was populated with very uncivilized, uneducated and uncultured citizens who could only resolve their differences by killing each other. Texas seceded from the Union in 1861.

By 1900, 5% of the population lived in cities. 95% lived in the country, on farms.

We were not unquestionably considered to be a viable country (by European standards) until the 1930s when we built the Chrysler Building followed by the New York Empire State building. Prior to that we had not…

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Study Piano Artistry in Boca Raton

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Toccata BWV 915 by Johann Sebastian Bach

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Toccata BWV 915

The toccata an extensive piece intended primarily as a display of manual dexterity written for keyboard instruments reached its apex with Johann Sebastian Bach in the eighteenth century. Johann Sebastian Bach’s seven Toccatas incorporate rapid runs and arpeggios alternating with chordal passages, slow adagios and at least one or sometimes two fugues. The Toccatas have an improvisational feel to them analogous to the fantasia. Unlike the Well Tempered Clavier, English suites, French suites and other sets, Bach himself did not arrange them into a collection. When JS Bach left Weimar the Toccata at that time was out of fashion. They became in vogue again after his death and were organized into a collection. The g minor Toccata is one of the more obscure of the toccatas and has rarely been performed partially due to the extensive second fugue with its many thorny passages of the contrasting gigue rhythm. However, this Toccata has many fascinating effects. It is one of the only pieces by JS Bach that has dynamic markings of piano and forte.

The g minor Toccata opens with a flourish, which leads into an expressive adagio with an improvisational feel. The adagio is interrupted by a lively allegro in the relative major key of Bb which includes concerto-ritornello passages of imitation and solo/tutti passages. A deceptive cadence leads back into the adagio where it was interrupted and then closes the adagio with a perfect authentic cadence in Bb major. This aspect provides a unity to the different movements of the Toccata. The other striking example of unity between movements is the beginning flourish repeated at the end of the second fugue, which leads into a formal closing of the work.

The extended fugue in a gigue has a subject of an ascending sequence combined with a countersubject of driving triplets. The subject of the fugue has twelve expository entries followed by eleven entries. There are inversions, permutations, combinations of minor with major, which is varied by modulating to the subdominant, then to Eb major and then back to the g minor tonic. The vivacious counter subject of driving triplets provides a symmetrical balance.

To learn more about Fugues please read my other Hub: The Art of Fugue

http://jamilasahar.hubpages.com/hub/The-Art-of-Fugue

For More Information on Piano Lessons in Boca Raton or Via Skype:

http://about.me/jamila.sahar