I. Invocation
II. Ave Maria
III. Benediction de Deus dans la Solitude
IV. Pensee des Morts
V. Pater Noster
VI. Hymne de L’enfant a Son Reveil
VII. Funerailles
VIII. Miserere D’Apres Palestrina
VIIII Andante Lagrimoso
X. Cantique d’Amour
Many innovative concepts are explored in this suite such as constantly changing meters, no key signatures in addition to emphasis on the tritone. Liszt develops these innovations further in his later compositions. Fifty years later Liszt once again returned to the exploration of atonality in his Bagatelle ohne Tonart (Bagatelle Without Tonality).
On the autograph manuscript of Funérailles,Liszt writes October 1849. Liszt indicated it was an elegy written as a tribute to three of his friends who died in the failed Hungarian Revolution. Prince Felix Lichnowsky, Count Laszlo Teleki and the Hungarian Prime Minister, Count Lajos Batthyany. It was a colossal defeat to the Hungarian people.
Death of Chopin October 1849
The intuitive use of material from Chopin’s heroic Ab Major Polonaise Opus 53 leads to speculation that this piece was more than an elegy to the Hungarian people but also an elegy to his dearly departed colleague F. Chopin.
The Art of Piano Performance 